Lawn mowers are my least favorite sound to wake up to. It’s that reminder before my alarm goes off that it’s another workday, and I should probably get my ass out of bed before I drown in another round of sleep. But then I remember, just before I’m about to fight the snooze button, that I can be productive and still remain in bed for a few minutes longer if I put Rare Monk’s, Sleep/Attack, on rotate.
My room soon echoed the sounds of “Death By Proxy,” a tune that was slightly reminiscent of that California, Mamas and the Papas sound. Needless to say, it was the perfect opener – warm and sunny – just like the Los Angeles sky. And while I waited for the album to continue to move in a similar direction, the air became a little heavier with “Timebreakers,” where violinist, Isaac Thelin, wails behind lead vocalist Dorian Aites, who is merely “searching for a signal.” Most may be familiar with the string stylings of Yellowcard, Sean Mackin, but you won’t find Ocean Avenue on this record.
With each track, I entered a new realm of musicianship. “Dreadnaught” and “Mama Bear” are completely instrumental tracks, and are entirely different experiences. As a fan of Explosions in the Sky, I was greatly pleased to be lead into a world where I could conjure my own words against passionate instruments. Somewhere in the mix, “Center” and “Underground” blend electronics against melodic violins, reflecting the ambiance of M83. Minimal lyrics harmonize and hush into the speakers, forming a trance between musician and listener.
Rare Monk becomes a band that is hard to categorize. Sleep/Attack is comprised of some of the most influential sounds of alternative and electronic rock, interwoven and made personal – a sound-clash of eloquence. The album is worth listening to a thousand times over because of its complex layers of vocals and instruments.
Sleep/Attack is OUT NOW, and while you’re at it, catch Rare Monk on tour instead of staying in bed and listening to the drone of lawn mowers.